![]() ![]() She could of raised her child with a strong sense of self that would have her become a role model and not an embarrassment. She would marry someone who loved her for who she was and where she came from. I guess it was the social norm at the time to look upon women with esteem for giving everything up to guarantee the happiness of child, marriage and home.īut then again she could have been happy enough with herself to not want to marry someone just to better herself. I know this film is a classic and a classic to the melodrama genre, but I just don’t get it. In my opinion this genre juxtaposes moments of utter happiness and bliss with the abrupt change to hysterics and tears far too quickly to not require a psych consult. One moment Stella is yelling at her daughter for finding the dress she was making her as a surprise and ten seconds later she is hugging her and telling her how much she loves her. The melodrama is known for its sudden shift in emotions. This feminine sacrifice completes her daughter’s road to happiness. She then turns away and walks down the street triumphantly with a huge smile on her face. She watches as Laurel weds, with tears rolling down her face, the rain soaking her. Laurel now is not associated with the brassy Stella and has been accepted into the social circle of the elite. In the final scene of the film, Stella watching with the crowd outside the window of Stephen’s new home, as their daughter weds into a wealthy family. To give up a child so that child could be happy is a dreadfully painful sacrifice to any loving mother. She turns her daughter against her to guarantee her daughter the future she herself wanted one time, forsaking her own happiness. Stella ends up making the definitive maternal sacrifice at the end of the film. The melodrama was a peephole of sorts into the gorgeous and painfully dramatic lives of the wealthy. ![]() The theater was the ultimate form of escapism to the masses. I guess being that a large percentage of the populace were currently lower to middle class Americans. The lives and differences of the social classes in this film was popular at the time. The acting at times seemed unnatural and campy, like a modern day Soap Opera. Setting the moods in the scenes from happy to sad with one wave of the conductor’s hand. The constant waves of swoony and dramatic music create an emotional musical blanket throughout the film. This being the mother ship of all maternal melodramas, Stella sets a mold for the many to follow. Order custom essay Film Review: Stella Dallas Stella’s persona sticks out like a sore thumb against the socialite circles, dressing in the eccentric fashions she deems as stylish, speaking too loud, not fitting into the lady-like deportment her husband demanded. The storytelling of Stella’s constant journey to better her life and that of Laurel’s, is purely stylized. The film cannot be categorized as realistic, even though it seems naturalistic at times. ![]() The Mise-en-scene of the film is predominantly domestic and focused on the excesses of interiors and Stella’s outlandish fashions. The film’s thematic of maternal sacrifice and the loneliness, devotion of the film cause this movie to become what is known in the film industry as a “Weepie”. Living separate lives, not completely confessing to the fact that the couple was what would currently be called “legally separated” due to probable censors. Stella’s complete devotion to her daughter Laurel (Anne Shirley) and her reluctance to change who she is, keeps her from moving to New York with her newly promoted husband Stephen (John Boles). Stella sneaks her way into meeting Stephen Dallas (John Boles) after finding out in a tabloid magazine article about his family fortune being loss and him ending his engagement to Helen (Barbara O’Neil) the socialite. MGM (DVD) This film follows our protagonist, Stella (Barbara Stanwyck) through her journey of courtship, marriage to loss. Starring: Barbara Stanwyck, John Boles, Anne Shirley, Barbara O’Neil, Alan Hale. Brown Melodrama Stella Dallas (1937) Dir. Sophia Sullivan FLM2009-630: The Art of Film M. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |